| Issue | Title | |
| Vol 3, No 1 (2018): PREORCJAH (Professor Ezenwa-Ohaeto Resource Centre Journal of Arts and Humanities) | Traduire ou ne pas traduire les noms propres: Le Monde s’effondre en perspective | Abstract PDF |
| Olivia Ezeafulukwe | ||
| Vol 8, No 1 (2023): PREORCJAH (Professor Ezenwa-Ohaeto Resource Centre Journal of Arts and Humanities) | Transitivity analysis of Nwachukwu-Agbada’s Love strokes | Abstract PDF |
| Eucharia Nkechinyere Ugochukwu | ||
| Vol 10 (2025): PREORCJAH (Professor Ezenwa-Ohaeto Resource Centre Journal of Arts and Humanities) | Transitivity system in the discourse of corruption in Ayi Kwei Armah’s The beautyful ones are not yet born | Abstract PDF |
| Amarachi Calister Okenmuo, Ngozi Ezenwa-Ohaeto | ||
| Vol 10 (2025): PREORCJAH (Professor Ezenwa-Ohaeto Resource Centre Journal of Arts and Humanities) | Use of taboo language by commercial sex workers in Bujumbura, Burundi to negotiate power and identity | Abstract PDF |
| Salome Njoki Mburu | ||
| Vol 6 (2021): PREORCJAH (Professor Ezenwa-Ohaeto Resource Centre Journal of Arts and Humanities) | Verbal violence: A silent dimension of domestic violence in families in Akwakuma, Imo State | Abstract PDF |
| Ngozi Jovita N. Umelo, Ngozi Ezenwa-Ohaeto | ||
| Vol 1, No 2 (2016): Professor Ezenwa-Ohaeto Resource Centre Journal of Arts and Humanities | Vowel harmony in Etulo: A preliminary investigation | Abstract PDF |
| Cecilia A Amaoge, Adaobi Ngozi Okoye | ||
| Vol 1, No 2 (2016): Professor Ezenwa-Ohaeto Resource Centre Journal of Arts and Humanities | Vowel harmony in Etulo: A preliminary investigation | Abstract PDF |
| Cecilia A Eme, Adaobi Ngozi Okoye | ||
| Vol 2, No 2 (2017): PREORC Journal of Arts and Humanities | When death strikes the female spouse in Igbo land: A peep at the other side of the coin | Abstract PDF |
| Benedict N. Igbokwe | ||
| Vol 4, No 2 (2019): PREORCJAH (Professor Ezenwa-Ohaeto Resource Centre Journal of Arts and Humanities) | Writing back at Akachi Adimora-Ezeigbo’s ‘Snail-Sense Feminism’: A humanist perspective | Abstract PDF |
| Ngozi Ezenwa-ohaeto | ||
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